Origami is an art. Each subject is an exploration of different folding styles. Each model is representative of a unique design idea. The design process of choosing the subject, its representative features, a variety of design techniques and finally transferring the thought onto paper depends largely on the paper's ability to hold that thought. The choice of paper then becomes fundamental for the Origami artist. An error in selecting the paper can make even the most evocative and efficient design into a mediocre model.

Unorthodox Origami, focusing more on the artistic form rather than technical accuracy, is an area that many origami artists shy away from. It is not a widely explored facet; differentiating folding from interpretation, designing from expression - transforming a simple thought into a work of art.

I realized this need for special paper for my models and explored options available in my country. In 2007, Agua Papel was born. A concept of individually handcrafting each sheet for Origami with access to a wide array of colors.

Colombia is one of the largest producers and exporters of Banana in the world. The Banana plant provides the basic raw material for my paper. Its inherent qualities are ideally suited for Origami. The fibers are extracted only when the plant has borne fruit and is no longer needed. The process is 100% environment-friendly and does not deplete the green cover.

It is time-consuming and tedious, largely dependent on water (hence the name 'Agua'). But all good things take time to build and nurture. After a careful and detailed process, the paper obtained is very fine and durable with colors that do not fade over time.

The basic technique for making paper is the same since 105 AD.

1. Selecting fiber. A long-fiber plant gives a strong, folding-resistant paper. Short-fiber plants are ideal for printing.
2. Processing and refining fiber. The fibers are processed in a Hollander beater. The more time they spend in the beater the finer and smoother the paper. This process could be done manually but it's much more time-consuming.
3. Adding color. Aniline minerals are used to add pigmentation to the fibers. If the previous steps are correct, color introduced at this stage will be long-lasting.
4. Development. A mesh is then dipped in the pulp to raise a thin film of fibers. This film is pressed and dried to get the desired sheet of paper.

Papermaking, like Origami, is a fine art that takes time to perfect but is a very satisfying and soothing activity.

You can view some of my work with Agua Papel at: http://www.flickr.com/photos/fabiancorrea/